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1670794809(美國)
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A comedic thriller that re-imagines Mark Twain's iconic literary characters of "Huckleberry Finn" and "Tom Sawyer" as grown men in current day.[展開全部]
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瑪格麗塔·布伊 Diana Del Bufalo 薩布里娜·因帕恰託雷 貝內黛塔·波爾卡羅利 米卡埃拉·拉馬佐蒂 路易莎·拉涅瑞 Ornella Vanoni Luca Pastorelli 艾莉森·雷·羅森菲爾德 Marco Rossetti
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Roger Willoughby is considered to be a leading expert on sports fishing. He's written books on the subject and is loved by his customers in the sporting goods department at Abercrombie and Fitch, where he works. There's only one problem however: he's never been fishing in his life. When the store owner enters him in a fishing contest, mayhem ensues.
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Two men with the same name endure the funny consequences of getting mixed up during a business trip.
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Acausedesasantévacillante,MonsieurHenrinepeutplusvivreseuldanssonappartementparisien.Particulièrementbougon,ilfinitnéanmoinsparaccepterlapropositiondesonfilsPauldelouerunechambreàunejeuneétudiante.Loindetombersouslecharme,Henrivaseservird’ellepourcréerunvéritablechaosfamilial…
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Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his "ship" from land authorities...
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Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When he is threatened with retirement, Nat battles on his behalf. Nat also takes on his daughter, a drug dealer, and a mugger in this appealing version of a really 'odd couple'
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卡門·毛拉 安東尼奧·班德拉斯 胡麗葉塔·塞拉諾 蘿西·德·帕爾馬 瑪麗亞·巴蘭科 丘斯·蘭普雷亞維 基蒂·曼維爾 費爾南多·古林 洛萊斯·萊昂 Gregorio Ros 華金·克萊門特 費德里克·康貝羅 阿古斯丁·阿莫多瓦
女演員佩帕(卡門·莫拉 Carmen Maura 飾)得知自己懷有身孕,但是她的喜悅並未持續多久,因為她的情人伊萬(Fernando Guillén 飾)突然失蹤。佩帕想盡辦法聯繫伊萬,但最終一無所獲,這令她歇斯底里,痛苦難耐。而就在這時,伊萬的老婆露西婭(Juliet a Serrano 飾)又找上門來大找麻煩。不久,佩帕的好友坎德拉(María Barranco 飾)也因懼怕警察拘捕而尋求避難。一群精神瀕臨崩潰的女人湊在一起,上演令人唏噓的悲喜劇…… 本片入圍1988年威尼斯電影節主競賽單元,最終獲得最佳劇本獎;1988年歐洲電影節最佳青年作品和最佳女演員獎;1988年紐約影評人協會最佳外語片獎;1989年歌雅獎最佳女主角(Carmen Maura)、最佳剪輯、最佳劇本和最佳女配角獎(María Barranco)。
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Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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Waldo and Irene have been living with Margit for the four years that they have been engaged. Margit has planned the wedding and the honeymoon - in fact, Margit plans everything down to what they will have for breakfast every day. The only problem is that Waldo is a milquetoast and Irene does not want to be married to a milquetoast. So she says she is in love with Charlie, a bohemian artist/producer who lives in a trailer behind Spike's Place. When Margit confronts Charlie about giving up Irene, Charlie sees that she is the one for him. To make everyone happy, Charlie will have to help Waldo get a backbone. Written by Tony Fontana {[email protected]}
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