重逢

Someone brutally murders Young-hoon’s wife. A hair sample was found on his wife’s body and the detectives use it to trace it back to his friend Joon-sung and locks him up. Seemingly becoming a murder’s wife overnight, Da-yeon asks Young-hoon to testify on his behalf but when he doesn’t show up for the trial, she goes to visit him at his house.

　　自由奔放的巴德利一家逃離了貝魯特的有毒汙染，在他們建造的烏託邦山莊中尋求庇護，但出人意料的事卻發生了，一個垃圾填埋場就建在他們的圍牆外，將整個國家的垃圾和腐敗帶到了他們的家門口。

加麥，七世紀，穆罕默德與城市的強權者們鬥爭著，他揭露他們的專橫，以及它造成的疾病－奴隸制，暴力，酗酒，特別是，穆罕默德和他的信徒們鼓勵人們忘卻舊偶像，只崇拜唯一的真主，他們的對手毫不猶豫的迫害並折磨他們的近親。然而，和平的穆斯林們明白，該為尊重自己的正義而奮戰…

　Itisthestoryofanencounterofsomeverydiversepeople,whoselivesareintertwinedbyafatefulincidentalongtimeago.It’samelancholiccomedyaboutmothersanddaughters,aboutlove’supsanddownsandtheshortcomingsofalternativeandmiddle-classliveconcepts.It’sabouttheabsurdityofmoderntravellingandoureverlastinglongingforthesouth.Canyoubookhappinessjustlikeaholiday–allinclusive?

刑警張玉貴和妻子離婚多年，他們都深愛著女兒張雅芝。女刑警付明明是張玉貴現在的女友，她為張玉貴的善良正直和男人氣概所吸引。在張雅芝過生日那天，張玉貴的好友王建中來到北京託張玉貴幫個忙，王建中做刑警的時候曾救過他的命。不久，某居民小區發生兇殺案，死者狀況與後來發生在“東方娛樂城”內的案件非常相似，經調查所取得的線索竟然都與王建中有關，案情還涉及到張玉貴的前妻。最讓張玉貴頭痛的是，案件背後所隱藏的還有市裡主管刑事案件的李德旺副局長以及一批有名有姓的領導幹部……張玉貴、付明明、杜鵬等刑警頂著巨大的壓力，一查到底，最終將犯罪分子繩之以法。

Samuel Byck（Sean Penn 飾）是一個四十多歲的傢俱推銷員，他厭惡欺騙，並因此和哥哥關係破裂，但是工作要求他不得的學會謊言；在生活上，他和妻子長期分居，每個星期只有一次機會見到自己的三個孩子。 Samuel Byck有一個做汽車修理工的黑人朋友Bonny Simmons (Don Cheadle 飾)，Samuel一直想和他合夥做上門修理輪胎的小生意，而尼克松總統許諾推行的小額工業貸款計劃給他們的未來點燃了一絲希望。 Samuel向政府機關提交申請後，開始是長達兩個多月的漫長等待，期間，妻子正式提出離婚，工作也丟掉了，一切越來越糟糕。 貸款的落空破滅了他最後的希望。Samuel偷走了Bonny的搶，準備劫持一架客機撞向白宮，和尼克松同歸於盡，用這種決絕的方式讓世界注意他的存在。

　　Twin Peaks before Twin Peaks (1990) and at the same time not always and entirely in the same place as Twin Peaks: Fire Walk with Me (1992). A feature film which presents deleted scenes from Twin Peaks: Fire Walk with Me (1992) assembled together for the first time in an untold portion of the story's prequel.

　　故事發生在90年代的小城市。雲蕎（馬思純飾）想要“活成一部電影”；李麥（鍾楚曦飾）有看得見希望的未來；吳風（黃景瑜）也要在平凡的日子裡背水一戰。每個人都有著對未來的憧憬，帶著憧憬開始了異鄉漂泊之路，可是未來真的會如他們所願嗎？

　　Since 1977, Sam Klemke has been recording himself on film, the #selfieavantlalettre. In that same year, NASA launched the Voyager with the Golden Record. Whereas NASA primarily sketches a positive picture of humanity, Klemke's honest self portraits zoom in on the individual. A special film about time, memory and what it means to be human.　　‘This year will be my year, it has to be!’ Since 1977, Sam Klemke - a pioneer status updater - has looked back on ‘his year’ using video. With the illusion of progress, he hopes to encourage ‘personal growth and improvement’.　　Documentary maker Matthew Bate met Klemke on Facebook and became acquainted with his video 35 Years Back Through Time, a super-cut in which Klemke counts backwards from 2011 to his ambitious teenage self. Intrigued by this obsessive film project, Bate used Klemke's personal archive to create a documentary collage that feels like an intimate road trip, with Klemke providing valuable lessons about time. Along the way, he dismantles the dream of success and happiness. Klemke's self-mockery and honesty give the whole thing a light, breezy feel.　　Through this, Bate interweaves NASA’s Golden Record Project which, just like Klemke’s video project, was launched in 1977. This juxtaposition creates a reflection in which Bate sketches the comprehension of time and self-documenting stories as an inherent human need.

　　Mandy is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son in the midst of a female revolution, mining the pain of her parents’ separation and professionally writing about a love that no longer exists, she falls upon a troubled man, Pete, who’s searching for a sense of worth, belonging and ‘restored’ Male identity.

在雅法與巴特亞姆的邊界處，生活著一群被放逐的猶太人和阿拉伯人。他們一起生活在這片被大眾所遺忘的角落。一個叫Yael年輕記者來拜訪這些人。這裡有很多破舊的棚戶區，被大片大片的果園包圍著。Yael發現，在這裡人們的生活是如此的不同，他們一起開心地、友好地生活著。他們跟Yael談他們的生活、夢想、希望、愛情及對未來的嚮往。在這樣一個殘破、脆弱的地方，他們卻能夠和平共處。影片充滿著對生活的反思及對和平的美好期望。

節目監督辛西亞想到了一個點子，他們要選擇一個普通人，將他一天24小時的生活過程展現在觀眾面前。辛西亞就開始尋找理想的主角，他們選了艾德派柯尼。艾德發現家人和朋友為了他必須遭受眾人的取笑和責難。艾德必須想辦法結束他的苦難，回到正常的生活，但是，他要怎麼做呢？