接觸（1971）

　　The story revolves around Luisa Palmeira, born in France from Portuguese immigrants. In 1979, Luisa is eight years old. Almost a grown-up in the eyes of her illiterate mother, she remains just a little girl to her hard-drinking father. One day, he trusts her with a heavy secret: he suffers from a serious illness. But she refuses to believe him and thinks instead that he is hiding something else from her…

　　這是一個純真美好的初戀故事。丹尼爾（馬克·萊斯特 Mark Lester 飾）是英國某小學的一名學童，家境殷實的他乖巧聽話，同時也有叛逆的一面。他最好的朋友昂肖（傑克·瓦爾德 Jack Wild 飾），是一個叛逆乖張、專門搗蛋的小孩，丹尼爾和昂肖度過了許多個美好的放學時光。天真可愛的美樂蒂（特雷西·海德 Tracy Hyde 飾）跟丹尼爾同一所小學，原來並沒有交集的二人，因為某一天在舞蹈室偶遇而相識，丹尼爾愛上了那個翩翩起舞的美樂蒂。　　在昂肖的幫助下，漸漸地，美樂蒂也喜歡上丹尼爾。二人不僅放學後約會，更有一次翹課去了海邊玩耍。因此被老師家長知道他們的戀情，在大人們的多番教育下，他們卻更加堅定要結婚。一天，丹尼爾的媽媽看到他留下的字條，校長髮現班上的同學都不見了，原來同學們都去舉行丹尼爾和美樂蒂的婚禮了……

A story about four children living in a Mumbai slum in India. An eight-year old Kanhu writes a letter to the Prime Minister after a dramatic incident with his mother. A small boy has to achieve the impossible.

《多甫拉托夫》講述了俄國作家謝爾蓋（Dovlatov）在1971年時的四天生活。當時，Dovlatov 已經相當積極地在寫小說了, 但卻沒有在任何蘇聯雜誌上出版。在這四天裡, 主人公最終捲入了各種事件當中, 其中每一個都使他得出一個結論, 即作為一個作家, 要走自己的路, 不要聽從任何人的勸告。矛盾的交織循環、與布羅斯基的對話、列寧格勒的世俗生活,、西貢咖啡館、大劇院的全盛時期、lenfilm 工作室…… 這一切使 《多甫拉托夫》不僅是一部傳記電影, 也是一個時代的寫照。

　　Mandy is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son in the midst of a female revolution, mining the pain of her parents’ separation and professionally writing about a love that no longer exists, she falls upon a troubled man, Pete, who’s searching for a sense of worth, belonging and ‘restored’ Male identity.

　　A divorced mother approaching her 40th birthday falls for a younger man while on vacation.

1971年，葡萄牙殖民戰爭仍未結束，被派往南非安哥拉的青年醫師只能通過書信與懷孕的妻子訴說前線的見聞，他在異鄉所見的自然、人文全部都化作信中既溫暖又飽含思念之情的文字。但當戰事越演越烈，人性最醜陋的一面終於再也藏不住了，書信裡的言語也變得困惑難解...電影用壯闊絕美的黑白影像，譜寫了一曲殘酷的戰爭寓言。

　　影片改編自出生於法國的波蘭詩人、作家愛德華•斯塔胡拉（Edward Stachura；1937年8月18日~1979年7月24日）發表於1971年的小說《執斧人或冬季的森林人》（Siekierezada albo zima leśnych ludzi）。　　敏感的年輕詩人雅內克不能再接受口是心非的人和虛偽的世界，已經在世界上找不到自己的位置。他很想能有一個與他熟知的世界根本不同的地方來充實他的生活，於是他應了林務招聘，將他的全部財產裝在袋子裡背在身後，到深山老林當了一名冬季臨時伐木工。林場裡空氣清新，採伐工人雖性格不一，但跟城裡人不同個個坦誠友好，他很快和他們交上了朋友。他也越來越相信“蘋果樹枝會在純潔的土地上和心靈裡雙開花”（他的人生哲理）。儘管每個晚上都要被愛情創傷的噩夢驚醒，他還是盼望在這個純樸的勞動者的圈子裡也許會找到他所期待的東西，直到發生了改變了他想法的一件事——　　一個老實巴交的執斧人藉著喝高了伏特加，用伐木的斧子砍翻了小酒館的餐桌，以發洩妻子對他不忠的不滿。　　這件事觸痛了他的神經，他決定告別林場。途中，自從來到森林裡白天不再出現的幻覺又重新浮現在了他的腦海，只是這次不同，愛的天使猶如一具帶著面具的美麗殭屍。　　一輛呼嘯進山的窄軌火車迎面駛來。周遊世界的機會終於來臨!他扔下裝在袋子裡的全部家當，隻身一人去一個比他所有生活過的地方更加冷冰冰白皚皚的世界去追求他的人生哲學。

　　The tragic love story between Guido, the owner of a marble quarry and Luisa, the humble daughter of one of his employees, ends up in her giving birth to a baby boy. Giulio's mother is against them: at first she takes her son abroad with an excuse and then has her grandson kidnapped making Luisa think the boy died in a fire.

布宜諾斯艾利斯，1971年。Carlitos是個17歲的青少年。他擁有常人難以抗拒的天使般的面龐。不論他想得到什麼，他總能心想事成。在學校，他與Ramon不期而遇。兩人組成了魅力難當的美男二人組。他們很快踏上了一條以偷盜、謊言，甚至殺戮組成的墮落之路，而這只是他們表達自我的一種方式。

The Garden Left Behind traces the relationship between Tina, a young transwoman, and Eliana, her grandmother, as they navigate Tina's transition and struggle to build a life for themselves as undocumented immigrants in New York City.

　　When the mother of his infant son unexpectedly passes away, struggling actor Mark grapples with fatherhood and his inability to grow up. And when he sparks with a single mother, he learns how his choices have real-life consequences.

10-year-old Harriet dreams of leaving her home, where she doesn't feel she's needed by her mother and sister Gwen. When her mother dies in a car accident, she really starts to make plans for leaving and she finally does so together with her childlike (mentally ill) friend Ricky.

　　Ênio, nearly 15, stopped believing in ghosts a long time ago. He’s having to deal with a lot at home, his mother who believes in them, and his brute father who at home is almost a ghost. Over the course of one fateful night Ênio goes on an adventure.