遺蹟

Twenty years after the disappearance of her daughter, a recovering alcoholic is preparing to host he...

A family reunion at a remote mansion takes a lethal turn when they are trapped inside and forced to ...

JackPetty得到了比他預料當他前往哈瓦那出差，把他的新朋友HarrySmith的暗殺陰謀。

Adistrictattorneywho,tappedtoreplacetheoutgoingmayor,isstalkedbyamanwhoengineersherfallfromgrace,leadinghertopushbackandbeathimathisowngame.

Follows a tutor who, after being assigned an unexpected task at a mansion, finds himself struggling ...

Simon, a young man with exceptional powers, tracks down a serial killer, battling not only his own demons but a government agency that has decided Simon is too dangerous to be allowed to roam free. Based on a bestseller by Peter Flannery.

在一個與世隔絕的寺院裡，僧侶們為被附身的人開了一家診所。一天，年輕的警察馬雷克來到修道院。他偽裝成一名牧師，深入修道院生活，試圖解釋最近幾名備受折磨的囚犯神秘失蹤的原因。然而，事實證明，修道院是沒有出路的。

　　A young nurse who returns home to find a maniac and his barely alive hostage there.

　　聖誕前夕，11歲女孩佐伊·韋弗（艾米麗·亞哈伯曼 Amelia·Haberman飾）刻薄的養父母在自家雙雙被害，身體自燃燒成了焦炭，怪異案情讓警方束手無策。為查找線索，協助警方辦案同樣身為養母的兒童心理學家瑞秋·斯圖爾特（莫妮卡·恩格塞爾 Monica Engesser飾）和正受困於婚姻危機的警探邁爾斯·奧康納（詹姆斯·雷 James Ray飾）探訪了暫時安身兒科醫院的佐伊。在不斷接觸和調查中，瑞秋發現佐伊不僅古怪、陰鬱以恐怖玩偶“聖誕惡魔krampus”作伴，還有不為人知的可怕過去。　　隨著自燃案件陸續發生，瑞秋意識到似乎一切都與女孩和她的玩偶有關，清算才剛剛開始······

In 1830, forty years to the day since the last manifestation of their dreaded vampirism, the Karnste...

　　A woman and her brother seek revenge against a mysterious stalker.

　　Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

　　“B級片之王”羅傑·科爾曼（Roger Corman）改編自愛倫坡（Edgar Allan Poe）多個短篇故事的經典恐怖片。

　　A group of documentary filmmakers are filming a TV special about the events which occurred at the famous and mysterious abandoned Cain Hill asylum many years earlier, and the unexplained abductions and murders that have occurred at the site since then. The group soon learn that one of the inmates never left Cain Hill at all.