不要說對不起

Choi Yeon, who is rumored to be a lesbian, doesn't care about the rumors. However, she feels special...

　　This wonderful visual poem unites many of Sokurov's best traits. Like most of his films, it is less about plot than the unfolding of a specific situation. Here, an observer who merely appears as a silhouette (though it seems to be Sokurov) travels to an old Japanese town on an island. It is an unearthly place, almost empty, old buildings, mist, probably the afterlife. The obser...