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1711878687(格魯吉亞)
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The story focuses on the titular protagonist Tina who learns from Megi to live a self-determined life in patriarchal society after getting dumped by her boyfriend. The film was shot during the COVID-1[展開全部]
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A college freshman moves into the perfect dorm on campus, but soon discovers the previous resident died under mysterious circumstances. Believing the girl was murdered, she tries to uncover the identity of the killer before it's too late.
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Hopper’s work is the most recognisable art in America – popular, praised, and mysterious. Countless painters, photographers, filmmakers and musicians have been influenced by his art – but who was he, and how did a struggling illustrator create such a bounty of notable work? This new film takes a deep look into Hopper’s art, his life, and his relationships. From his early career...
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The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this ...
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réalisation Judith Du Pasquier un film de Sylvie Quesemand Zucca et Judith Du Pasquier production Abacaris Films coproduction : ARTE France avec la participation de LCP Assemblée nationale soutien Fondation France, CNC, DICOM, Paroles et Cultures, PROCIREP et ANGOA diffusion ARTE France L’anorexie reste une énigme pour les familles, pour les médecins, pour les jeunes filles ell...
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A part of Joan of Arc's life. At the beginning, Jeanne (Joan) has already left Domremy, she is trying to convince a captain to escort her to moxia.cc the Dauphin. It ends during Jeanne's first battle, at Orleans. Meanwhile, Jeanne is depicted more as a warrior than a saint (all cliches are avoided), with only her faith for strength.
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Made during confinement, “In My Room” plunges us into the poignant story of a woman at the twilight ...
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Appoy is a school kid with a creative mind who couldn't cope up with the formal system. All the while he got attention through his art. When he was forced to the edge of the system he begin to lose his identity. Later he is pushed into a loser category. At one point he begins to get attention when he started to perform outside of the system as a wild character. Because of the s...
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沃爾特·布倫南 沃爾特·休斯頓 安妮·巴克斯特 達納·安德魯斯 弗吉尼亞·吉爾摩 約翰·卡拉丁 Mary Howard 尤金·佩裡特 沃德·邦德 吉恩·威廉姆斯 拉塞爾·辛普森 喬·索耶 Paul E. Burns Dave Morris Frank Austin Matt Willis 愛德華·克拉克 梅·馬什 查爾斯·米勒 Sherman Sanders
This is commonly known as Jean Renoir's first American film (1941), although Renoir scholar Alexander Sesonske has established that Renoir's creative role in the project was severely hampered by producer Darryl F. Zanuck and that he didn't regard much of the film as his own. (The ending, for instance, was written by Zanuck and directed by Irving Pichel.) Nevertheless, the film has certain beauties and pleasures. Part of it was shot in Georgia's Okefenokee swamp, and the treatment of the small community living ~Censored~ is often pungent and distinctive.
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大概是法國第一部描寫女同志的故事片吧。 Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress he...
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Parajanov's diploma film for the VGIK, based on the Moldavian fairy tale by Emilian Bukov.A young s...
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In beautiful sunny afternoon in Prague, a man of a certain age discusses his love of Provence. Suddenly, a black flag is suspended. The composer Foerster died. Graduation film of director Jirí Menzel.
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安東·寇班 伊恩·柯蒂斯 彼得·胡克 吉尼西斯·P-奧裡奇 巴尼·薩默 託尼·威爾森 Richard Boon Kevin Cummins Bob Dickinson Lesley Gilbert Iain Gray Rob Gretton Martin Hannett Alan Hempsall Annik Honoré Joy Division Richard H. Kirk Terry Mason Paul Morley 斯蒂芬·莫里斯 John Peel Pete Shelley
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This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs....
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