金屬黨

Kate Parks has spent the past year on tour promoting her book, an in-depth look at the attempted cov...

Diego is the victim of a hit and run. His family is unable to pay for the surgeries needed to keep him alive. Pablo, Diego's brother, forms a soccer team and enters a tournament to win the prize money and save his brother's life.

Marie, an independent and militant sex worker who has never needed to rely on anyone, not even to raise her son. When the latter is thrown off his post-graduate cookery course, Marie is unable to make her peace with it. Dreaming of a greater future for him, she decides to sign him up for one of the best cookery schools in France, but her income won’t cover the tuition fees. She...

　　24小時停火。Falludscha局勢是毀滅性的沒有食物,沒有藥物,沒有幫助,最終一群五人組的計劃幫助他們爭取無助的生活。

　　謝爾蓋·帕拉傑諾夫，1924年生於前蘇聯格魯吉亞的第比利斯，父母都是亞美尼亞人。從小就顯示出他對色彩的敏感和天神一般的繪畫天賦。除了繪畫，從小他就對電影和音樂有著濃厚的興趣。1945年，他21歲，求學莫斯科是他一生的轉折點。他進入俄羅斯電影學院（VGIK）導演系學習拍片。這是一個歷史悠久的著名電影學校，為歐洲大陸貢獻了大批電影大師。之後成為老師杜甫仁科的助手，杜甫仁科是蘇聯詩電影的祖先，塔爾科夫斯基和帕拉傑諾夫都得益於他的教誨。　　根據俄羅斯作家萊蒙托夫的故事改編。一個遊吟詩人在路途上花了一千個白天和黑夜，隨時隨地盡其所能為人們帶來快樂。他的流動的生活方式看似毫無目的，其實不然。他希望在一千個日日夜夜之後，能夠掙到足夠的錢舉辦婚禮......如果新娘還在等他的話。　　Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights - but not before he's got the daughter to promise not to marry till his return. It's told in typical Paradjanov style, in a series of visually ravishing 'tableaux vivants' overlaid with Turkish and Azerbaijani folksongs.

The screenplay tells the story of the toxic relationship between two strong, independent women who are aware that they are alone in the world: Beatriz, who has apparently achieved everything in life that she set out to do; and Sofía, who thinks she is ready to do whatever it takes to get the life she believes she deserves.

HardenedDEAagent,Cole,descendsintothedangerousunderworldofTijuana,Mexicoinsearchofhisjournalistex-wifewhohebelieveshasbeenabductedbyacharismaticCartelbosswithaspirationsforpublicoffice.

Set against the backdrop of Trinidad and Tobago's mystical Carnival, a gifted and struggling young man becomes the object of intrigue for an older, well-meaning businessman until their worlds collide.

Martin Schulz (Paul Lukas), a German/American art dealer, returns to Germany at the outbreak of World War Two, adopts the Nazi propaganda philosophy, refuses to protect the Jewish fiancee, Griselle Eisenstein (K.T. Stevens), of his son Heinrich Schulz (Peter Van Eyck), who has stayed in America to run the family business

　　A unique relationship flourishes between an aspiring artist and a plant man growing in his garden.

　　Four guys, one bride. A weekend on a raft.

　　In 1943, revolutionary inventor Nikola Tesla died penniless in the New Yorker Hotel. Within 24 hours the U.S. government seized everything in his room. But one design was already missing. Seventy years later in Buffalo, NY, a brilliant young engineer has found it. And the only person she can trust is a low-rent detective with a pack-a-day habit.

　　A young woman spends a day in some non-place between town and countryside, has random encounters and watches stones skip over the surface of the river. Tatsunari Ota’s film explores a world without productivity and finds joy in idle time and playfulness.

　　本片圍繞著四個角色進行。晚上離開妻兒出門的盧悉奧(Luisinho)和剛結束一段感情生活的納爾遜(Nelson)駕駛著汽車四處尋樂,以此打發晚上的空虛和無聊。幾經周折之後他們找了兩名三陪女子回到房間。整個夜晚四個人之間的關係不斷髮生微妙變化。該片前75分鐘全部為夜景,配以略帶詭異感覺的鋼琴曲,整部作品偏現代。　　沃爾特·雨果·克霍里(Walter Hugo Khouri)(1929.10.21-2003.6.27)號稱是巴西電影界的伯格曼，《空洞的夜》（1964）《燃燒的軀體》（1966）和《好色之徒》（1968）是他的人性三部曲，在他的影片中充滿著存在主義的疑問、角色複雜內心的獨白和現代主義的電影語言。本片是向安東尼奧尼《蝕》的致敬之作，入圍了1965年法國戛納電影節，是一部精緻的巴西新浪潮藝術電影。