阿比蓋爾

　　故事發生在1944年的波蘭，德軍的鐵蹄踏上了這片苦難的土地，一時間，生靈塗炭，此處成為了人間地獄。身為猶太男孩，雅各布（羅賓·威廉斯 Robin Williams 飾）和許多與他一樣的男孩們被迫被德軍做牛做馬，所有的信息渠道被軍隊封鎖，波蘭成為了一座孤城。　　一次偶然中，雅各布從收音機中聽到了德軍正在與蘇軍激戰的消息，戰鬥地點不在別處，就在離波蘭只有幾百公里的本沙尼克。士氣高昂的雅各布決定將這條珍貴的消息告訴更多的人，在雅各布的添油加醋之下，盟軍蘇聯已然在爭鬥中獲得了不可逆轉的優勢。這條虛假信息振奮了猶太人的士氣，卻也傳到了德軍的耳中，他們開始了縝密的調查，勢要抓到造謠生事的始作俑者。

　　The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.　　The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.　　Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.　　The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.　　It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.　　"Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.　　Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.　　This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

　　英國劇作家、電影和戲劇導演邁克·李的1977年的話劇作品，BBC於同年將其改編並搬上銀幕，獲得了巨大反響。　　貝弗莉邀請她的新鄰居安吉拉和託尼晚上來做客。受邀的還有也住在附近的蘇，因為蘇的15歲女兒阿比蓋爾正在她家裡舉辦她自己的派對。而貝弗利的丈夫勞倫斯工作繁多，戲劇開始時他剛剛加班回到家，不久後客人們就來了。聚會就這樣在頗為尷尬和矜持的氣氛中開始了。

一支全副武裝的四人特種部隊小組奉命趕往出事地點，在自稱衛生署官員的歐文醫生（Jonathan Mellor 飾）的帶領下，他們進入因感染而被封鎖的公寓。行動開始不久，成員之一馬託斯（Alejandro Casaseca 飾）即遭到攻擊和感染。隊長帕洛（Juli Fàbregas 飾）深感蹊蹺，從歐文口中，他終於知道事件的真相。另一方面，三個少年出於好奇也鑽進了公寓，他們經歷了種種恐怖的場面，並因此付出代價。與此同時，特種部隊和第一集中倖存的女記者安吉拉（Manuela Velasco 飾）相遇，卻不知死亡之手已經伸到他們的身邊……\n \n 　　本片是前作《死亡錄像》的續集，並榮獲2010年戈迪獎最佳剪輯、最佳音效、最佳特效和最佳視覺效果等數項大獎。