愛是盲目

She,ayoungpianistpreparingforanauditionandhim,ayounggameinventorwhoonlyconcentratesinsilence.Onlyathinwallseparatesthem-Willtheymanagetolearntolivetogether?

She,ayoungpianistpreparingforanauditionandhim,ayounggameinventorwhoonlyconcentratesinsilence.Onlyathinwallseparatesthem-Willtheymanagetolearntolivetogether?

She,ayoungpianistpreparingforanauditionandhim,ayounggameinventorwhoonlyconcentratesinsilence.Onlyathinwallseparatesthem-Willtheymanagetolearntolivetogether?

When their mother takes off on a business trip, two bickering brothers unite to secretly attend the ...

　　Vir Das dives deep into his childhood in India, the perils of outrage and finding his feet in the world for his fourth Netflix stand-up special

　　Dom and Yas’ paths collide at the least opportune time: when Dom (David Jonsson) is ugly-crying in a toilet stall, steeling himself for an awkward meal with his ex, who cheated on him with his best friend. Nursing her own breakup wounds, freewheeling Yas decides to jump headfirst into the fray to lessen the sting as Dom’s date. What follows is a day of impulsive and joyous mayhem, as these two twenty-something Londoners roam Peckham through karaoke bars and playgrounds, all the while inching towards the possibility of opening their hearts again.　　For her visually inventive feature debut, director Raine Allen-Miller launches us into a playful and vibrant world, shaping a romantic comedy that celebrates meeting the right person at the wrong time. Nathan Byron and Tom Melia’s fresh characters leap off the page at breakneck speed in the hands of Oparah and Jonsson, channeling all the frustrations of swiping fatigue while holding onto the hope of finding the real deal. Much like its namesake in the beating heart of South London, Rye Lane is irresistible.

　　Two best friends who break up with their girlfriends at the same time, subsequently deciding to move in with each other.

　　Given the opportunity to participate in a life or death reality game show, one man discovers there's a lot to live for.

The non-binary comedian Mae Martin speaks of a world that has gone off the rails. Among other things, Mae Martin mentions a mythical encounter with a moose and the gender spectrum in the story "Beauty and the Beast".