馬克·費爾特：扳倒白宮之人

　　TK（邁克爾·佩納 Michael Pena 飾）、切沃爾（蒂姆·羅賓斯 Tim Robbins 飾）和克莉（瑞秋·麥克亞當斯 Rachel McAdams 飾）是三個退役的軍人，在和家鄉與親人闊別多年後，他們終於要登上回家的飛機了。在這個節骨眼上，他們所搭乘的飛機居然因故取消，歸心似箭的三人決定合租一輛車，自駕回家。　　對於未來的生活，每個人心中都有自己的規劃。然而，現實卻並不如想象中的美好，TK和克莉的計劃都沒能完成，切沃爾多年等待等來的居然是妻子的離婚協議和兒子高額的撫養費，三個失魂落魄的成年人再次聚在了一次。為了擺脫失意的心情，三人決定來一個橫穿美國之旅，這次突發奇想的旅程徹底粉碎了他們舊時的幻想，卻也帶來了新的際遇與希望。

　　柳生一族賊心不死，沿途派遣數隊刺客截殺拜一刀父子，但最後悉數落敗。　　這一日父子倆投宿旅店，一名叫松女子跑來尋求幫助，拜一刀（若山富三郎 飾）手刃前來追趕之人。聞訊趕來的妓院老闆酉藏（浜木錦子 飾）索人，拜一刀拒絕，並甘願替女孩受罰。嚴刑拷打併未使拜一刀屈服，反而使酉藏受到震撼。酉藏的主人三浦帶刀（濱村純 飾）因此拜託拜一刀刺殺其仇人猿渡玄蕃（山形勳 飾）。　　另一方面，得知消息得猿渡召集數百人兵馬圍殺拜一刀父子，父子倆與猿渡的軍團在地藏原展開殊死拚殺……

　　Algiers, a few years after the civil war. Amal and Samir have decided to celebrate their twentieth wedding anniversary in a restaurant. While on their way, their share their views on Algeria: Amal talks about lost illusions and Samir about the necessity to cope with them. At the same time, their son Fahim and his friends Feriel and Reda are wandering about in a hostile Algiers about to steal their youth.

建築設計師托馬斯在妻子安雅的慶生宴過後發現妻子失蹤，報警之後卻被當成頭號嫌疑人他找到著名律師拉維妮婭請求幫助。此時，一名自稱為安雅好友的女人康妮主動告知警方慶生宴當日托馬斯與安雅爆發爭吵，且托馬斯疑似出軌。焦頭爛額的托馬斯找到拉維妮婭訴說心事，原來他們曾是戀人。警方根據現有證據逮捕了托馬斯，然而在法庭上這些不充分的證據被辯護律師拉維妮婭一一反駁，托馬斯有望無罪釋放。而托馬斯的一番問話，令拉維妮婭頓時不安。拉維妮婭回家後仔細翻看材料，驚訝地發現康妮才是托馬斯的情人，而她提供的證詞也不過是為了混淆視聽，一切都是她和托馬斯在鑽“一案不再審原則”的空子：只要托馬斯此次無罪釋放，就算日後再找到安雅的屍體他也不會再被起訴。在最終判決前，拉維妮婭將自己的發現告知法官，托馬斯被判無期徒刑，警方開始調查康妮。托馬斯經常跑步鍛鍊的那條林間小徑邊上，似乎就是安雅的葬身之處。

A 12-year-old boy turns to a charismatic loner for help after being beaten up at school, in director Miles Warren’s searing feature debut about fathers, families, and the effects of fighting.

Harry and Max lacks all of the subtle interplay between characters that has so far been a hallmark of Christopher Munch's films. The premise sounded interesting and challenging, but the film was a let down for me.                                                                    None of the characters here, even Harry and Max themselves, are fully formed. Unfortunately, this means that the salacious premise (the repercussions of two teen pop idol brothers' incest) never overcomes its own silliness. I thought the nearly non-stop chatter between the two main characters would eventually be banished as merely a cover up for their deeper thoughts, but no, apparently this silly dialog was meant to be thought provoking in some way.                                                                    Why are these guys pop stars? Oh yeah, because who wants to see a movie about incest unless the stars are attractive? It should be central to their characters, but it seems only to be an excuse for Harry to have some sort of A Star is Born angst and for the audience to see pretty faces.                                                                    Max is infatuated with Harry, then Harry is infatuated with Max, both sleep with the other's past loves, vague hints are given about their messed up family and absolutely NOTHING of significance about love, human nature, lust, relationships, or anything else is ever revealed.                                                                    Not helping matters is the cursery development of all other characters. Josiah, Roxanne and Jordan are all treated like pieces of the set to be moved around at the need of the director. None has any depth, motivations or interesting qualities beyond their usefulness as background for Harry and Max. Even the boys' mother is reduced to two minutes of muddled screen time bitchiness. Nikki, for me, was the only interesting character here, but the reasons for her choices are never explored and in the end she winds up as flat as all the others.                                                                    Writers need to make choices and here none have been made. Either focus only on Harry and Max, or focus on their world, but please do one or the other with some degree of success! To my mind, this is Christopher Munch's worst film to date, not because of its scandalous subject matter, but because of its inability to reveal anything of interest about it!                                                                    兄弟禁斷之愛。哥哥哈瑞是前男孩樂隊成員，看著16歲的弟弟馬克在他之後成為青年偶象。這個冬天，本來打算去日本的他繞路陪伴馬克帳篷旅行。但起初充滿歡樂和兄弟情誼的旅行卻很快冷卻下來，他們之間的問題重新浮出水面，無法忽視，迫使他們面對那傷痕累累的過去：哈瑞酗酒的毛病，他對家庭的疏離，還有他與馬克的曖昧關係。這些，在他們成長的歲月中，如影隨形；兩人的感情，也始終尋不到確切的出口。                                                                    這是一部耐看的作品。有點像小品，有點像實驗電影，乍看之下樸實無華，仔細看了，卻是此中有深意。兩兄弟有個自私又貪財的母親，只有彼此可以依靠。一起成長，積累回憶，情不自禁成為彼此最在意的人。雖然不是那種伴侶，或者，他們那樣才是終身伴侶吧。然而，無關哥哥的酗酒，還有他們的家庭困境，他們只是無法純粹地在一起。每個人都有Dark Side的部分，只有最親近的人，才會讓他見到自己最不堪的一面吧。親情，友情，愛情，界限又在哪裡呢？                                                                    “反觀我們一起成長的那段人生裡                                                                    大多數人想有個一個像Harry這樣的哥哥                                                                    但我們無法控制                                                                    相互吸引”

　　出租汽車司機馬洛身無分文，且一直很潦倒，突然間有了一百萬馬克。同時，他的女兒馬麗被綁架了。這兩件事之間是否有什麼聯繫？馬洛以為綁架者只想要他的剛到手的100萬馬克的贖金，但真正想要的贖金卻是：馬洛必須潛入高度警備的工廠，去毀壞一輛眾所期盼的革命性的新車的設計圖稿，馬洛成功的拿到了圖紙，但他躲過保安的唯一方法就是把圖紙仍掉，女兒還在綁匪手中，而車商仍追查最後圖紙的下落……

An orphaned teenager forms an unlikely friendship with a detective. Together they investigate her mothers murder, and uncover the supernatural force that proves to be a threat to her family.

　　伊利亞·伍德將主演犯罪題材驚悚片[無主之人](No Man Of God，暫譯)。Amber Sealey執導，C·羅伯特·嘉吉([險惡])操刀劇本。影片設定在一個單獨的審訊室中，故事根據FBI心理分析師比爾·哈格邁爾(伍德飾)與連環殺手邦迪於1984年至1989年之間的對話文字摘錄改編，影片將詳細介紹邦迪在死囚牢房最後幾年間，兩人之間複雜的關係。