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When one of her students is suspected of theft, teacher Carla Nowak decides to get to the bottom of ...
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戶田惠梨香 加瀨亮 神木隆之介 福田沙紀 城田優 徳井優 大森曉美 伊藤毅 佐野元春 石田惠理 向井理 大島優子 龍雷太 川島海荷 Simone 江口のりこ 永澤俊矢 坂田雅信 大野拓朗 武內享 具志堅用高 高島政伸 大杉漣
2009年,當麻紗綾(戶田惠梨香飾)和瀨文焚流(加瀨亮飾)相識的前一年。在美國FBI學成歸來的當麻被分在警視廳公安部公安第五課未詳事件特別對策系,接受組長野野村光太郎的直接領導。此前不久,某大型石油企業高管接連被人殺害,死者的心臟無一例外都留下被人用手捏過的痕跡。顯而易見,這一系列事件和所謂的SPEC持有者有著極為密切的聯繫。與此同時,石油企業高管Diablo(大杉漣飾)高薪聘請神秘SPEC持有者一十一(神木隆之介飾),企圖阻擋神秘的SPEC殺手。一十一,這個日後與當麻和瀨文有著不解淵源的難纏敵手將當麻視作殺害父母的爆彈女,之後更斬殺了當麻在美國結識的好友Nancy。SPEC宏大篇章自此拉開序幕,決定世界命運的重大事件也進入了倒計時……
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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『仮面ライダーゴースト』のスピンオフとなるVシネマ。眼魔の世界を住み良い世界に変えようというアランの手助けをするため、共に眼魔の世界に旅立った深海マコトと妹・カノンたち。彼らの新たな物語や、マコトとアランの出會いのエピソードを描く。
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A US submarine runs into a time rift. A special unit goes on a mission to see what’s on the other side. They find themselves in an alternate dystopian America, now a one-man dictatorship. They decide to help the rebels.
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