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Itisthestoryofanencounterofsomeverydiversepeople,whoselivesareintertwinedbyafatefulincidentalongtimeago.It’samelancholiccomedyaboutmothersanddaughters,aboutlove’supsanddownsandtheshortcomingsofalternativeandmiddle-classliveconcepts.It’sabouttheabsurdityofmoderntravellingandoureverlastinglongingforthesouth.Canyoubookhappinessjustlikeaholiday–allinclusive?
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Maurizio is a stubborn boy who grows up near the fiumara, where people throw away whatever they no longer need. This open-air dump becomes his playground, where among wrecked cars and other treasures large and small, he begins to dream of playing in the town band. Mamma Rosa looks on his musical aspirations as a childish whim, a luxury that the family cannot afford. And so, bet...
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克里斯·艾塞克 基弗·薩瑟蘭 凱爾·麥克拉克倫 大衛·鮑伊 David Bowie 雪莉·李 雷·懷斯 梅晨·阿米克 達納·艾希布魯克 傑克·南斯 莫伊拉·凱利 弗蘭克·席爾瓦 海瑟·格拉漢姆 林尼·馮·多倫 陳沖 大衛·林奇 米蓋爾·弗爾 邁克爾·J·安德森 Harry Goaz 邁克爾·昂吉恩 佩吉·利普頓 詹姆斯·馬歇爾 埃沃雷特·麥克吉爾 埃裡克·達雷 拉斯·坦布林 邁克爾·霍斯 格蕾絲·扎布里斯基 克里斯·馬爾基 凱瑟琳·E·考森
Twin Peaks before Twin Peaks (1990) and at the same time not always and entirely in the same place as Twin Peaks: Fire Walk with Me (1992). A feature film which presents deleted scenes from Twin Peaks: Fire Walk with Me (1992) assembled together for the first time in an untold portion of the story's prequel.
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Soo-jung is camping on Jukdo Beach, while Jung-yong has left there for a long time and returned. Soo-jung and Jung-yong inevitably meet surfing on the beach. Besides, Jukdo Beach, which emerged as a surfing hot place, gets sick and tired of the heat as time goes by and the girl surfer Beezoo is finally destined to leave there.
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A long love story, seen through the memories of one young couple: recollections altered by moods, their different perspectives, and time itself. The journey through the years of two individuals, united, divided, happy, unhappy, deeply in love, or in love with others, in a single stream of emotions and shades of feeling.
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Kala azar describes of a place that cannot sustain animal life any longer. In a big city somewhere in the south of Europe, a couple takes care of dead animals and abandoned roadkill as an act to give meaning to their life. Kala azar is a meditation on the paradox of life-circles among beings of different species. A film about existence, on the boundaries between living and dead, human and non-human.
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塔納茲·塔巴塔巴伊 沙伯·阿巴爾 沙迪·卡拉姆魯迪 Sam Nakhai Mehri Sadat Alagha Nahal Dashti Reza Davoudnejad Mojtaba Fallahi Faranak Kalantar Tiam Kermanian Hossein Khozouei Safar Mohammadi Maedeh Tahmasebi Milad Yazdani
Just two weeks before Roya, a banned Iranian journalist, is set to emigrate from Iran to Denmark at her husband’s insistence, she encounters a quiet young girl. The girl seems lost and doesn’t remember anything. Roya takes her in, unaware that the girl has abandoned her previous life and now has come to replace Roya. A couple of days later, Roya finds out that she will be prohibited from leaving Iran unless she sells out a colleague to the government authorities. Soon after Roya refuses to betray her friend, the young girl steals Roya’s identity and takes over her life with the assistance of Roya’s husband, Babak. As Roya fights to recover her identity, she realises, to her surprise, that no one remembers her anymore and that everybody takes the lost girl to be her. Babak throws Roya out of the house, at which point the authorities decide that Roya is to be exiled to another life as a passive housewife named Hanieh.
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