神奇的貝加爾湖

　　Dirty Wars follows investigative reporter Jeremy Scahill, author of the international bestseller Blackwater, into the hidden world of America's covert wars, from Afghanistan to Yemen, Somalia, and beyond. Part action film and part detective story, Dirty Wars is a gripping journey into one of the most important and underreported stories of our time. What begins as a report on a deadly U.S. night raid in a remote corner of Afghanistan quickly turns into a global investigation of the secretive and powerful Joint Special Operations Command (JSOC). As Scahill digs deeper into the activities of JSOC, he is pulled into a world of covert operations unknown to the public and carried out across the globe by men who do not exist on paper and will never appear before Congress. In military jargon, JSOC teams "find, fix, and finish" their targets, who are selected through a secret process. No target is off limits for the "kill list," including U.S. citizens.

　　Baikal is the oldest, the deepest and the purest lake on the planet. But it's not only that - Baikal is an ideal model of our world, as it shall be. Everything is possible here: to walk on water, to touch the sky, to talk with the universe. Baikal is our hope and our future. It's a film about the thirst, about the eternity and about all of us. The genre is epic documentary. The aim is to change the world.

Once crucial for survival, sugar now poses a health risk. Is there a way to satisfy our primeval cra...

Stacey Dooley travels the world to uncover the hidden costs of the addiction to fast fashion. She sees for herself how toxic chemicals released by the garment industry pollute waterways that millions of people rely on. She witnesses the former Aral Sea, once one of the largest bodies of fresh water, now reduced almost entirely to dust.                                                                      These are shocking discoveries likely to make you think twice about whether you really need those new clothes.

A portrait of an art institution as a cinematic landscape: in a succession of static shots, James Benning explores the buildings and terrain of the California Institute of the Arts, where he teaches. A series of views of nature filmed in the surrounding park and woods transitions into images of floors, seating areas and other details of a public building not meant for show. In both parts, an uncanny feeling dominates: the geometries of nature, the dark green and brown tones, the rushing of the highway in the background on the one hand and the humming of halogen lamps, the sound of steps in an otherwise seemingly empty school on the other – it all seems to be hiding a secret. The camera’s gaze is almost always restricted; it rarely penetrates very far into the image. It discovers shabby corners, observing scenarios more reminiscent of a mystery novel than the campus of an art institution. More so than in the majority of James Benning’s longer works of recent years, a narrative lies concealed within the images; every shot creates an urge to move forward, a tension, almost as if the landscapes and interiors were the scenes of a crime.

　　Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981, looking for the same places and people, showing what had ocurred since then, and trying to gather a family whose patriarch, a political leader fighting for rights of country people, had been...

Biologist and extreme angler, Jeremy Wade, is on the hunt for freshwater fish with a taste for human flesh. Jeremy travels the globe risking life and limb, to investigate freshwater mysteries and uncover the truth about the dark secrets of our planet's rivers.

Biologist and extreme angler, Jeremy Wade, is on the hunt for freshwater fish with a taste for human flesh. Jeremy travels the globe risking life and limb, to investigate freshwater mysteries and uncover the truth about the dark secrets of our planet's rivers.

Biologist and extreme angler, Jeremy Wade, is on the hunt for freshwater fish with a taste for human flesh. Jeremy travels the globe risking life and limb, to investigate freshwater mysteries and uncover the truth about the dark secrets of our planet's rivers.

From a distance, Lussas might look like a tranquil, rural village but big things are going on there. Among the vineyards and cherry orchards of France’s Ardèche region, a handful of idealists are looking to enrich the world with new stories. Their dream is to set up a streaming platform for independent documentaries. And that’s the kind of dream worth fighting tooth and nail for.\n \n 　　A lot of time and energy has been invested in the Tënk project, and getting up and running is a grueling task. We see experienced producer Jean-Marie Barbe and his team meeting in unadorned conference rooms poring over every detail of their ambitious project. The local mayor is on their side, but it’s a struggle to satisfy the financiers, the subscribers, and the other politicians.\n \n 　　Director Claire Simon uses her handheld, observational style to create an intimate atmosphere, and the scenes of tirelessly industrious winegrowers in Lussas make for an interesting parallel: no matter whether the final products are documentaries or grapes, everyone in Lussas is fighting heart and soul for something we perhaps too easily take for granted.

Hitler's last offensive in 1944 in the Ardennes, with which he desperately tried to stop the allies thereof, to reach Antwerp.

There are few families in history who have accumulated more wealth, collected more art and given away more money than the Gettys. With unique access to the family’s inner world, this programme unearths the lasting cultural impact of three generations. The late patriarch J. Paul Getty, founder of the Getty Oil Company and art collector, made the family incredibly wealthy and was once described as the richest living man in America. On his death, he left the largest endowment in history to an art museum, and the billion dollar gift shook the international art market to its foundation. This endowment also gave birth to the Getty Centre in Los Angeles which is now the wealthiest institution of its kind in the world. Grandson Mark Getty, who himself became the founder of the multi-billion pound media empire Getty Images, tells the story of his family and their cultural legacy. With input from other Getty family members, the programme follows three generations of this art-hungry dynasty and hears stories of personal milestones, art scandals, philanthropy and the kidnapping of grandson Paul Getty III in 1973.