帝國的崛起：奧斯曼第二季

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　　此節目融合了虛構劇情和紀錄片元素，檢視鄂圖曼帝國的歷史。

　　A man's struggle against himself and against time. Kenyan runner Eliud Kipchoge dreams of completing a marathon distance of less than two hours. An achievement that is considered unattainable for a human being. Here we follow him as he prepares to break the impossible record. Is he able to break the magical two-hour limit and write history?

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　　作家・井上光晴の〈虛構と現実〉を、彼が癌により死に至るまでの5年間を追い描いたドキュメンタリー。「ゆきゆきて、神軍」（87）の原一男監督作品。「地の群れ」「虛構のクレーン」などで知られる戦後派の作家・井上光晴は、昭和52年に佐世保で文學伝習所を開いた。以後全國13ケ所に広がったその伝習所を中心に、彼は各地方で體當たりの文學活動を実踐してきた。映畫はその伝習所に集った生徒たちとの交流や、そして特に伝習所の女性たちが語るエピソード、文壇で數少ない交友を持った埴谷雄高、瀬戸內寂聴らの証言を通して、井上光晴の文學活動、〈生〉そのものを捉えていく。撮影準備直後、井上にＳ字結腸癌が発生し、いったん手術は成功するもののやがて肝臓へ転移していく。カメラは彼がその癌と戦う姿も生々しく撮り続けるが、平成4年5月、遂に井上光晴は死を迎える。映畫はさらにその井上自身の発言や...

今年三月，我在土耳其遇到一個採購口罩熔噴布的年輕人，三十歲，攜巨資遊走在防疫物資市場－－那裡混亂無序，上游被全球倒爺和黑手黨操縱。我跟拍半月，見證一幕幕跌宕劇情與一個複雜多面生意人－－我更想稱他#口罩獵人#。今年三月，我在土耳其遇到一個採購口罩熔噴布的年輕人，三十歲，攜巨資遊走在防疫物資市場－－那裡混亂無序，上游被全球倒爺和黑手黨操

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90년대 한국 사회를 뒤흔든 그러나 지금은 잊혀진 지존파 사건을 되짚으면서 우리 사회를 들여보게 하는 영화. 지존파에서 출발해 성수대교 붕괴, 삼풍 백화점 붕괴, 5.18 주모자 처벌 문제 등으로 유연하게 흘러가는 영화는 픽션 보다 더 픽션 같은 논픽션 이야기를 품은 한국 사회를 ‘기록’한다. What happened in Korean society in the 1990s? The film starts with the Jijon-pa (Supreme Gangsters) case. The shocking story is narrated through the discussion by the two detectives who arrested the gangsters, of details of the roundup, data screens, and the death sentence. Nevertheless, Nonfiction Diary’s focus is not on the crime story. Starting from Jijon-pa onwards, the film reflects on the 1990s, when Korea digressed into contemporary history. The Seongsu Bridge and the Sampoong Department Store’s collapses are recalled, followed by the then-government’s punishment of the May 18 Uprising leaders, revealing the Korean legal system’s death penalty status, touching on political and power issues. The audience is reminded that today, 2013, is an extension of that same flow. Director Jung Yoonsuk’s Non-fiction Diary “records” the records by summoning forgotten incidents, utilizing interviews and the media’s data screens. This record is a “report”on contemporary society as well as a “record of the remembrance”. (HONG Hyosook) 18th Busan International Film Festival Documentary Competition

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