地球的夜晚：夜中取景

以《推拿》獲得金馬獎最佳改編劇本獎的編劇馬英力，在紀錄片《夢的背後》中執起導演筒，近身跟拍導演丈夫婁燁入圍本屆金馬獎最佳導演的《風中有朵雨做的雲》製作過程，從前期籌備、拍攝現場、後期製作。知名編劇張家魯、攝影包軒鳴、演員秦昊、 井柏然、宋佳等主創人員也現身說法。除了見證一部電影的誕生，更側面察看中國電影製作的現狀，真實呈現攝影機外的瘋狂世界。

杜海濱是在手持一部家庭攝影機為一部劇情片踩外景地時，發現了這群在寶雞鐵路沿線靠變賣廢品及偷盜為生的人們，最小的年僅九歲。無家可歸的原因是多方面的：打工被騙、遺失身份證、父母離異等。這些被阻隔在主流社會及主流媒體之外的人們在攝影機前開口講述自己的故事，具有很大的吸引力。杜海濱說：“在任何一個城市的街道上，都能看到這樣一些人，也曾經有過一種衝動，想走上去與他們交談聊天，但因為缺少一種行之有效的辦法，都被他們警惕地回絕了。這一次，算我走運，我輕易地走近了他們，並開始了一次既無準備又充滿刺激的拍攝工作。”這是一部非常平實的作品，作者最大的成功在於，他用一種平視的眼光觀照這些社會最底層的人物，使得這些平常在我們眼中具有某種標籤身份的人擁有了豐富多彩的個性，並且散發出人性的光彩。 2001年，紀錄片《鐵路沿線》獲中國首屆獨立映像展最佳紀錄片和日本山形國際紀錄片電影節特別獎。 2000年春節，在陝西省寶雞市火車站附近的垃圾臺上，聚集著一群流浪漢。他們來自全國各地，年齡相仿。白天，他們在城市裡漫無目的地遊蕩，晚上就住在鐵路邊。平時他們揀點垃圾和旅客扔下的瓶子，然後換點吃飯。其中的周富是在從打工城市回家的路上丟了錢和身份證；另有兩個李小龍和火紅昌（火狐狸）都是從家裡跑出來的；小云南在工作了三年後被老闆甩了；鳳翔因為婚事和家人鬧矛盾而跑了出來。六個月後，他們大多都不見了。傳聞有人見到周富當街脫光了衣服跳舞，如何變瘋的誰都不知道。李小龍被一個公安收養，他也許算是比較幸運的，因為他開始靠開烤羊肉店掙錢。小云南則成了孩子王。火狐狸被送回了家，但很快又跑了回來。鳳翔偷東西被抓。鐵路沿線的生活在繼續，儘管它在大部分人眼裡更象是出戏。 參展和獲獎經歷： 獲中國首屆獨立映像展最佳紀錄片獎 獲日本山形國際紀錄片電影節亞洲新浪潮單元特別獎 參加柏林國際電影節、法國當代藝術展、亞洲當代藝術展、韓國全州國際電影節、臺北金馬國際電影節、香港國際電影節、新加坡國際電影節等

　　A cinematic homage to Peter Rice, one of the most distinguished engineers of the late 20th century. Tracing Rice's extraordinary life and career, from his Dundalk childhood to his work on the Sydney Opera House,The Pompidou Centre and the Lloyd's Building, to his untimely death in 1992, Marcus Robinson uses stunning time-lapse photography and revealing interviews to tell the story of a genius who stood in the shadow of architectural icons. Until now.

　　此幕後花絮帶人一窺全球攝影團隊如何上山下海、走入冰天雪地，以拍攝出此紀錄片系列中令人耳目一新的夜間影像。

A look at the life and work of Italian cinematographer, Carlo di Palma.

Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West and primarily Yosemite National Park.For his images, he developed the zone system of photography, a way to calculate the proper exposure of a photograph. The resulting clarity and depth were characteristic of his photographs. His crystal clear images were also the result of his using the large format 8×10” film camera, which provided a maximum resolution, although it was among the most difficult cameras to use due to its large size, weight, set-up time, and film cost. However, it was typical of the lengths he would go to achieve his vision of perfection.He founded the Group f/64 along with fellow photographers Edward Weston and Imogen Cunningham, which was responsible for the founding of the Museum of Modern Art's department of photography. Adams' timeless and visually stunning photographs are constantly reproduced on calendars, posters, and in books, making his photographs widely recognizable. And as a result, his images are among the most significant and familiar contributions to the history of photography.

Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West and primarily Yosemite National Park.                                                                    For his images, he developed the zone system of photography, a way to calculate the proper exposure of a photograph. The resulting clarity and depth were characteristic of his photographs. His crystal clear images were also the result of his using the large format 8×10” film camera, which provided a maximum resolution, although it was among the most difficult cameras to use due to its large size, weight, set-up time, and film cost. However, it was typical of the lengths he would go to achieve his vision of perfection.                                                                    He founded the Group f/64 along with fellow photographers Edward Weston and Imogen Cunningham, which was responsible for the founding of the Museum of Modern Art's department of photography. Adams' timeless and visually stunning photographs are constantly reproduced on calendars, posters, and in books, making his photographs widely recognizable. And as a result, his images are among the most significant and familiar contributions to the history of photography.