骨靈

　　A bunch of college kids accidentally release an evil curse, to make people kill themselves into zombie demons, aka ZEMONS's!

A charming yet troubled man spirals into a rage after being rejected by the woman he initially seduced.

Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.

　　Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

American G.I.s who trespass on a Hindu ceremony are hunted down by a beautiful woman who has the power to transform herself into a cobra.

Valeria, a young woman expecting her first child, becomes cursed by a sinister entity. Plunged into a terrifying and dangerous world, a group of witches emerge as her only hope for safety and salvation, but not without grave risk.

　　Deathstream follows Zach a 28 Year old online Gamer who makes a living streaming his game play videos online. One night during a live stream a group of masked individuals break into his home.

A night out turns deadly when three girls break into a seemingly empty mansion.

A psychological horror delving into ones person soul. Camille has been traumatized since her parents disappeared when she was young. Now, 20 years later, conditions are ripe for a deja vu. Or is it?

College sweethearts Brad and Ashley venture into the heartland of Germany. Their romantic holiday takes a sinister turn when encountering a German SS Officer, thrusting them into a psychological vortex revealing there is not always life in a Living Space.

An unkown entity has hacked into a Soviet missile and aimed it at the United States. With just minutes before Mutually Assured Destruction, an American military industrialist and a Soviet nuclear commander race against the clock to prevent a nation from nuclear annihilation. Unbeknownst to them his threat is just the beginning of an even bigger crisis - one that will change the course of history forever. Blackmark is the first feature length film to tackle the Cold War from the perspective of the military industrial complex. The film is an origin story, showing the massive power and influence these companies have had over the course of modern history. Its a genre-defying, high-tension thriller in the vein of Michael Mann and Neal Stephenson, steeped in the paranoia and fear of global politics, reminiscent of classic thrillers Seven Days in May and The Hunt for Red October.