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Blackholesstandatthelimitofwhatwecanknow.Toexplorethatedgeofknowledge,theEventHorizonTelescopelinksobservatoriesacrosstheworldtosimulateanearth-sizedinstrument.Withthistooltheteampursuesthefirst-everpictureofablackhole,resultinginanimageseenbybillionsofpeopleinApril2019.Meanwhile,Hawkingandhisteamattacktheblackholeparadoxattheheartoftheoreticalphysics-Dopredictivelawsstillfunction,eveninthesemassivedistortionsofspaceandtime?Weavingthemtogetherisathirdstrand,philosophicalandexploratoryusingexpressiveanimation."Edge"isaboutpracticingscienceatthehighestlevel,afilmwhereobservation,theory,andphilosophycombinetograspthesemostmysteriousobjects.
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Ozzie Areu Jerry Banks 肯尼亞·巴里斯 Professor Keith Corson Derrick Doose Ari Emanuel 烏比·戈德堡 Mellody Hobson Mark Itkin T·D·傑克斯 Lucky Johnson 蓋爾·金 Debra Lee Killer Mike Keleigh Thomas Morgan Bishop Paul Morton Andy Norman Tim Palen Michael Paseornek 泰勒·派瑞
An intimate portrait of Tyler Perry and his harrowing but faithful road to the top of an industry that didn't always include him.
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In her new comedy special, Emergency Contact, Amy Schumer once again talks about her life in an uncensored and hilarious way.
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1974美國紀錄片《一首詩就是一個裸體的人》由萊斯·布蘭克導演,利昂·拉塞爾主演,影片講述的是:Les Blanks first featurelength documentary captures music and other events at Leon Russells Oklahoma recording studio during a threeyear period 19721974
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Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West and primarily Yosemite National Park.For his images, he developed the zone system of photography, a way to calculate the proper exposure of a photograph. The resulting clarity and depth were characteristic of his photographs. His crystal clear images were also the result of his using the large format 8×10” film camera, which provided a maximum resolution, although it was among the most difficult cameras to use due to its large size, weight, set-up time, and film cost. However, it was typical of the lengths he would go to achieve his vision of perfection.He founded the Group f/64 along with fellow photographers Edward Weston and Imogen Cunningham, which was responsible for the founding of the Museum of Modern Art's department of photography. Adams' timeless and visually stunning photographs are constantly reproduced on calendars, posters, and in books, making his photographs widely recognizable. And as a result, his images are among the most significant and familiar contributions to the history of photography.
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Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West and primarily Yosemite National Park.                                                                    For his images, he developed the zone system of photography, a way to calculate the proper exposure of a photograph. The resulting clarity and depth were characteristic of his photographs. His crystal clear images were also the result of his using the large format 8×10” film camera, which provided a maximum resolution, although it was among the most difficult cameras to use due to its large size, weight, set-up time, and film cost. However, it was typical of the lengths he would go to achieve his vision of perfection.                                                                    He founded the Group f/64 along with fellow photographers Edward Weston and Imogen Cunningham, which was responsible for the founding of the Museum of Modern Art's department of photography. Adams' timeless and visually stunning photographs are constantly reproduced on calendars, posters, and in books, making his photographs widely recognizable. And as a result, his images are among the most significant and familiar contributions to the history of photography.
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這是一部關於街拍鼻祖比爾·坎寧安(Bill Cunningham)的紀錄片。已入耄耋之年的比爾依然是紐約時報的一名攝影師,擁有自己的板面專欄“On the Street”以及“Evening Hours”。他從六十年代起便一直沉迷街拍,並享受工作。在比爾的鏡頭下,不管你是上流名人、普通工人甚至是下城居民,只要你著裝出位有個性,比爾都樂於捕捉你的美。幾乎所有的時尚界人士都認識並尊重這位攝影頑童,就連著名時尚雜誌Vogue的女主編安娜·溫圖爾(Anna Wintour)也說:“我們都為比爾著盛裝。”然而,這樣一位幾乎把一生都獻給了時尚且功不可沒的老人,依然住在狹小工作室裡,每天騎著自行車上街拍照,不過老人家卻覺得這樣最好,對他來說,拍照以外的任何事都無關緊要,能夠自由地捕捉新鮮,才是他的追求。                                                                    本片推出後深受歡迎,先後在悉尼電影節、南塔基特電影節、墨爾本國際電影節和阿布扎比國際電影節上獲最佳紀錄片殊榮。
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