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更多In search of a better life, a railroad worker (Foo) finds himself on the wrong side of a group of corrupt lawmen. As the Marshal (Adkins) attempts to control his town, tragedy strikes forcing him to decide between justice and family.
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99 Moons homes in on two characters united by feelings bordering on obsession. There’s Bigna, a researcher specialising in tsunamis who’s almost thirty and on the point of relocating to Chile for work reasons, and thirty-three-year-old Frank, who will shake up her convictions to the point she decides to stay.
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HardenedDEAagent,Cole,descendsintothedangerousunderworldofTijuana,Mexicoinsearchofhisjournalistex-wifewhohebelieveshasbeenabductedbyacharismaticCartelbosswithaspirationsforpublicoffice.
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John Muller, medical school dropout and brilliant crook, plans a holdup which goes a little bit wrong, and finds vindictive gambler Rocky Stansyck after him. At the end of his tether, he stumbles onto a lucky chance to assume an impenetrable new identity as psychiatrist Victor Bartok. But irony piles on as Muller finds it's out of the frying pan, into the fire.
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Zaynab, a thirty-something Pakistani, Muslim, lesbian in Chicago takes care of her sweet and TV-obsessed mother. As Zaynab falls for Alma, a bold and very bright Mexican woman, she searches for her identity in life, love and wrestling.
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Oliver與Lucy是一對兄妹,他們從小在父親設計的尋寶遊戲中長大,他們繞著房屋,小島四處尋找父親藏起來的“寶藏”,不知不覺間Oliver和Lucy都長大了。然而他們的關係也隨著年歲的增長而變得淡漠。父親的突然離世,讓二人重返家園,面對父親的律師,他們得到了父親留下的最後一個寶藏,他們必須放下各自的分歧,再次參加一次尋寶遊戲,才能得到父親留下的“財產“,在這場父親精心策劃的遊戲裡,這對兄妹之間又會發生怎樣的故事?
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The exploits of three young Roman criminals are chronicled in this socially conscious drama. The young men commit petty crimes all day begin with arms theft, and culminating with a night with three streetwalkers. After their pleasure, the boys try to cheat the hookers, but they ladies are smarter than that and have stolen their cash ahead of time. The punks then return to the city for more crimes. Exploits include the harassment of three homosexuals, and attempts to seduce some women.
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An American mother searches for her daughter who was kidnapped by human traffickers in Central America
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A popular cooking show organizes a contest to find the best "My Father's Menu". Three chefs enter the competition, and their search for the recipes is intertwined with their personal dramas. freefilm picture co.,ltd.
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A friend of mine had rented "Shiner" only because the clerks at his local video store were talking about "how much of a bigot the director is," implying that homophobia was at the root of the film (apparently these folks never watched the special features on the DVD, which totally negates that opinion). My friend took the video home and reported to me his fascination with the film; at the same time, he felt aroused, repulsed, intrigued and frightened during and after the flick. He told me about the premise of the film, and felt somewhat ashamed for finding some of its darker content erotic.\n \n \n \n A few weeks later, I picked up the film and had a similar experience. I was confused; in the queer movement were taught so much about power dynamics and organize ourselves to fight violence, but here was a dramatically different take on the subject. What ended my confusion was the interview with writer\/director Christian Calson on the DVD. The line of his that grabbed me the most: "I didn't want to make another gay romantic comedy." Things suddenly made sense to me. So many queer, I mean, gay films (ahem) are merely homo-remakes of mainstream romantic comedies. As queers, our message got lost as we sought inclusion in a particular medium. So, in what might be the most post-modern move of a writer\/director in film history, Christian Calson sought to queer gay cinema. (Yes, I'm using queer as a verb.) He later supports this argument by talking about a form of "post-gay liberation" in which gay leaders shouted "We're doctors! We're lawyers! We're teachers!" to the point our difference and diversity became invisible. "We're just like you" led to us becoming nothing, in a sense.\n \n \n \n While the movie is disturbing at times, it's thoroughly engaging. The audience member feels like a voyeur, peeping into the lives of these three "couples." And through that voyeurism, we come to a closer understanding of the elements of violence and how it relates to queerness. From self-loathing to internalized homophobia, from bitter rage to being just plain f'ed up, "Shiner" takes us through a mini-gamut of how violence affects us all, in ways no PSA or "the More You Know" segment could ever hope to address.\n \n \n \n I highly suggest that you pick up the DVD of the film and watch the special features, including the Calson interview and the commentary, which is a noteworthy production in its own right.
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