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Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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喬什·加德 布麗特·羅伯森 丹尼斯·奎德 佩吉·利普頓 K·J·阿帕 布萊斯·吉扎爾 朱麗葉·賴倫斯 盧克·柯比 加布裡埃爾·羅斯 邁克爾·博夫舍維爾 洛根·米勒 柯爾比·豪威爾-巴普蒂斯特 普奇·豪爾 約翰·奧提茲 妮科爾·勒普拉卡 彼特·科拉米斯 卡羅琳·凱芙 簡·邁克格雷格 科維西·阿梅揚 卡琳·博姆拜克 娜奧米·弗倫內特
影片以汪星人的視角展現狗狗和人類的微妙情感,一隻狗狗陪伴小主人長大成人,甚至為他追到了女朋友,後來它年邁死去又轉世投胎變成其他性別和類型的汪,第二次輪迴狗狗變成了警犬威風凜凜,再次轉輪迴,又成了陪伴一位單身女青年的小柯基犬。在經歷了多次輪迴之後,最終回到最初的主人身邊。
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羅伯特·德尼羅 C·J·威爾遜 安妮·海瑟薇 彼得·瓦克 莫莉·伯納德 史蒂文·韋斯 安德魯·蘭內斯 瑪麗·凱·普萊斯 邁克爾·曼 克里斯蒂娜·布魯卡託 扎克·珀爾曼 亞當·德維尼 納特·沃爾夫 安德雷斯·霍爾姆 琳達·拉文 克里斯汀·伊萬格麗斯塔 裡德·斯科特 德瑞娜·德尼羅 凱勒布·朗 Erin·Mackey 利茲·霍坦 克里斯蒂娜·謝勒 西利亞·維斯頓 史蒂夫·維諾維奇 蕾妮·羅素 肖恩·克萊爾 喬喬·庫什納 傑森·奧利 瓦莉斯·柯里-伍德 西德尼·莫頓 馬克斯·埃森 埃利奧特·維拉爾
年近七十的本(羅伯特·德尼羅 Robert De Niro 飾)曾經是一位精明強幹,事業有成的商人,最終,他還是和大部分老年人一樣開始了平淡的退休生活。本對忙碌而又充實的過去無比懷念,孤獨與內心裡蠢蠢...
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雅各布·蘇埃爾 雅各布·雷諾茲 科洛·塞維尼 馬克斯·佩利希 哈莫尼·科林 琳達·曼茲 Carisa Glucksman Nick Sutton Lara Tosh Darby Dougherty Jason Guzak Casey Guzak Wendall Carr James Lawhorn James Glass Ellen M. Smith Charles Matthew Coatney
1970年代,美國俄亥俄州。一場颶風將半個小鎮破壞殆盡。十四歲的男孩所羅門(雅各布·雷諾茲 Jacob Reynolds飾)和男孩塔克(尼克·薩頓 Nick Sutton飾)是兩個無所事事的街頭小混混。這場殘酷的颶風不僅破壞了小鎮的一切,也帶走了所羅門父親在內眾多居民的生命。所羅門和精神異常的母親相依為命,塔克則與鰥居的父親一起生活。兩個難兄難弟都對生活迷失了方向,每日就以吸毒,扳手腕和殺貓為樂。在這個悲慘而又毫無意義的世界裡,兩個少不更事的男孩就這樣無聊而麻木地生活著,明天對於二人而言如同虛設,只能繼續墮落下去。 由青年導演哈莫尼·科林自編自導的實驗處女作《奇異小子》,榮獲1997年第54屆威尼斯國際電影節費比西獎-鼓勵獎。
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趙港生(張國榮飾)因厭煩黑社會生活,欲金盆洗手後去加拿大追尋偶像山口百惠,而他選擇的移民途徑竟是——參加加拿大酒店的廚師考試,絲毫不懂廚藝的他最終因作弊暴露而慘敗。某日,趙港生在酒樓遇見了廚藝大師龍昆寶(趙文卓飾),龍昆寶指點他去找自己的舊識滿漢樓的歐老闆(羅家英飾)學習,不想歐老闆竟對他百般刁難,最終將其掃地出門。其間,港生和歐老闆的女兒嘉惠(袁詠儀飾)倒是在不經意間擦出了花火。歐老闆師承中國著名大宴滿漢全席之趙派,某日,牛派的繼承人黃榮找上門來挑戰,後來又使詭計挖走了他手下的所有師傅。這時,唯有港生挺身而出,和嘉惠一起尋找會做滿漢全席的高人,那就是五年前莫名隱退廚藝界的廖傑(鍾鎮濤飾)。
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