地獄裡的天堂

天才少年理查德（邁爾斯·特勒 Miles Teller 飾）憑藉物體傳送裝置的發明得到正研究量子門的富蘭克林•斯通的賞識，他將理查德招至麾下，通過和維克多（託比·凱貝爾 Toby Kebbell 飾）、約翰尼（邁克爾·B·喬丹 Michael B. Jordan 飾）、蘇珊（凱特·瑪拉 Kate Mara 飾）等才華橫溢的青年們的通力合作，量子門的研究終於取得突破性進展。不久之後，不甘成果被政府攫取的年輕人們叫上理查德的朋友本（傑米·貝爾 Jamie Bell 飾），偷偷潛入那個未知的世界探險，誰知卻被神秘的能量所感染。在此之後，他們擁有了身體伸縮、控制火焰、岩石化以及隱形等能力。　　為了能過回覆從前的樣子，年輕人們再次走向量子門，而對面的世界還有一個當初被丟下的同伴等待著他們……

Olga and Maks are 15 years away. She is a successful woman with an established position, the mother ...

A Greek Fisherman brings an Atlantean Princess back to her homeland which is the mythical city of At...

Three sisters aged between seven and 15, who live alone as their mother vanishes for whole swathes o...

When a lost traveler on Halloween night comes across an isolated rural gas station, she thinks she's...

The sheriff of a small town is a serial killer. A mysterious woman visits him and starts a conversat...

And follows a teenage rebel placed in foster care, who suspects that her father is not dead, but has been kidnapped by UFOs. With the help from a UFO association, she is determined to find out the truth.

　　In the distant future, a large portion of humanity lives on Mars, in cities that resemble those once found on Earth. The cities are protected from the inhospitable Martian atmosphere by dome-like force-fields. When a massive sandstorm breaks through the dome and destroys Mars New York, those in Mars Los Angeles must figure out how to stop the storm before it wipes them out next.

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

　　Six years after her husband, a prominent Belgrade lawyer, died in a fire, Anja Kolar receives information that makes her question everything she thought she knew about the accident and about her own family as well. At the same time the sudden death of his best friend's daughter draws police inspector Dejan Strbac into a whirlpool of crimes, starting with the mysterious disappearance of a young female lawyer, which took place six years earlier.

17-year-old Liv has just moved to London with her mother Ann and little sister Mia, where she meets ...

“動亂時代”特指1598年俄羅斯統治家族絕嗣之後的一段長期動盪。由於正統王室後繼無人，俄羅斯農民落入外國勢力之下，瑞典、立陶宛、德國和波蘭的佔領者紛至沓來。1612年， 這時正值所謂的“動亂時代”的末期，勇敢的俄羅斯人把佔據克里姆林宮幾個月的波蘭人趕了出去。1613年羅曼諾夫王朝的開始標誌著這一時代的結束。

15年前的一樁交通事故，令一個男人（黃秋生 飾）死於車底。他的頭被卡在車身地下，身體卻走了一段路後才倒下。這個恐怖的場面，被一個小女孩看到了，嚇得目瞪口呆。　　15年後，髮型師Peter（陳奕迅 飾）和June（舒淇 飾）一夜情，卻令Peter真的愛上了June。June是一個神秘的女孩，自稱陰陽眼可以見到鬼。自從二人交往以來，怪事連連發生，Peter目睹了件件怪事，靈異的現象讓他非常苦惱。最後他懷疑眼前的June，並發現她與身著道袍的人碰頭。當June提醒他，有無頭鬼要索他的命，Peter也只當她胡言亂語，一氣之下與她分手。　　然而June說得沒錯，一切的靈異詭秘，都來源於15年前的那場車禍。

　　肖恩·利維將再次合作老搭檔二十世紀福斯，執導新片[隕石坑](Crater，暫譯)，利維也將約翰·J·格里芬執筆的原創劇本進行改編。故事被描述為科幻版的[ 伴我同行 ]，講述在月球殖民地長大的男孩，和三個小夥伴共同前往一處神秘隕石坑探秘，不料卻發生意外。影片劇本曾經入選2015年“好萊塢劇本黑名單”。