母性光輝

　　龍飛（金志洙 飾）、尚宇（金俊勉 飾）、都滿（金喜贊 飾）和智孔（柳俊烈 飾）是從小玩到大的好友，彼此之間感情十分要好。畢業之後，四人選擇了各自不同的未來，踏上了屬於他們自己的人生旅途。                                                                    　　尚宇決定參軍入伍，臨行之際，幾位好友決定結伴來一場釋放青春之旅，然而，在旅途中，四人意外邂逅了一名身陷險境的陌生女子。無法對其坐視不管的四人向女子伸出了援手，哪知道竟然被捲入了麻煩之中，成為了警方調查的嫌疑對象，並且將此事告訴了四人各自的父母。在親人的幹預之下，四個年輕人之間開始了相互的猜忌，堅實的友情漸漸產生裂痕。

　　A vision of Colombia's inhuman armed conflict, seen through the eyes of a young - and pregnant - girl soldier.

A raw look at the effects of childhood trauma through the eyes of two estranged cousins.

Smart and quick-witted Julie is in her mid-twenties. She marches to the beat of her own drum and has her own manifesto: do nothing. And with nothing, she really means NOTHING: no work, no ...

　　出品單位: 北京環亞幕維影視文化有限公司　　本片講述了老幹部劉勝利瞞著家人毅然決然地接下了向陽辦事處關工委常務副主任這個費力不討好的苦差使，塑造了關工委常務副主任劉勝利的老幹部的光輝形象……

靖國神社太鼓之音穿越花街，在妓院的和室間迴盪。戰後孤兒小圓修練聲色藝，殷勤接待各式各樣的恩客：儒雅建築師、耿直壽司師傅，少不了也有猥瑣老頭；安身立命，當上建築師妾侍亦甘之如飴。男人在身邊離離去去，她的身與心彷彿也逐漸得到解放，發現不曾認識的自己。首個鏡頭已先聲奪人，川島雄三以切割構圖、顛覆鏡頭及黑色幽默，為日本戰後的頹敗社會顯影，亦為女性雕琢出自主輪廓。若尾文子綻放艷麗無垢的光芒，三十五襲華衣美服目不暇給，細膩演繹「那個她」到「這個我」的微妙蛻變；最後獨自佇望登山索道，竟散發點點安東尼奧尼鏡頭下蒙妮卡維蒂的味道。 （香港夏日電影節）　　電影旬報最佳女演員　　東京記者協會藍絲帶獎最佳女演員

After waking up from a horrific car accident, April must find a way to work through her trauma and a will to survive a recovery from hell.

並不富裕的伊萊扎（烏瑪•瑟曼 Uma Thurman 飾）與丈夫以及兩個年幼的孩子擠在曼哈頓的一間小小的公寓裡。雖然伊萊扎一直都想成為一名專業的作家，但是無奈兩個孩子年幼，而丈夫又要上班，所以她只能當起了全職媽媽，寫作也只能在料理家務的間隙進行。這天是女兒卡拉拉六歲的生日， 伊萊扎一早便開始為生日會採購。可是誰能料到這樣重要的一天竟然狀況百出。當伊萊扎為了女兒的生日會四處奔波之際，她不禁為自己“無助”又“悽慘”的母親生涯感到悲哀。可是當晚上看到女兒快樂的樣子，而丈夫終於懂得體貼自己，伊萊扎終於感受到了作為一個母親不一樣的感受。

　　The City on the River is a tragicomedy about the ultimate triumph of human virtues in the face of systematic, institutional inhumanity.

本片改編自湊佳苗的同名小說，是一部圍繞“母親和女兒”展開的懸疑片。戶田惠梨香扮演不能愛的母親Rumi子，永野芽鬱扮演想被愛的女兒清佳。

　　A master of human behavior finally meets his match, whose behavior is unable to predict.

In a world where mythical creatures are real, monsters and humans are forced to coexist; and as prejudice and insecurity pulls everyone apart, three separate storylines manage to come together.

Pram is a lonely young man, who hasn’t received any love from his parents. He filled his void by composing good songs that no one listens to. One day, Pram who works in a music cafe, for him to able to get a gig, meets and gets acquainted with Niskala, someone who is different from other women Niskala also really heard him, but Pram didn’t know that Niskala is a PWB (People with Bipolar). However, since Pram became close to Niskala, Niskala broke all the rules she made with Mela, her mother. Everything felt right until the moment when Pram saw Niskala was given a sedative by her mother and friends, and Pram also found out that all this time, Niskala had been secretly carrying out her social activities and achieving her goals behind her protective father’s back.

　　曾經創下韓國獨立電影最高觀影人次紀錄的紀錄片《牛鈴之聲》的導演李忠烈時隔八年再執導筒，其將於安聖基、李貞賢共同創作一部聚焦韓國無形文化遺產的劇情片《蟬鳴》。　　《蟬鳴》講述了全羅南道珍島上的“多侍樂”表演者們身上發生的故事。“多侍樂”發源於全羅南道珍島，指的是出喪前一天晚上在喪者家中進行的表達哀傷、給予生者撫慰的歌舞活動，1985年被列為韓國國家第81號無形文化遺產。安聖基將在片中飾演一位“多侍樂”表演者，李貞賢將飾演安聖基的女兒。　　《蟬鳴》的劇本創作已全部完成，因為影片背景設定在春天，所以要等到明年3月再開機。安聖基此前曾在六月的一次專訪中表達了對該片的期待之情，“我要說全羅道方言，還要唱歌，要做許多準備。這應該是一部用質量說話的電影。”