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Adam is a teenage artist coming of age in the aftermath of an alien takeover. The Vuvv, a species of hyper-intelligent extraterrestrials, brought wondrous technology to earth, but only the wealthiest can afford it. The rest of humanity, their livelihoods now obsolete, have to scrape together money in the tourism industry. In the case of Adam and his budding love interest Chloe,...
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In a luxurious seaside villa, a modest young woman finds herself in the company of a strange family: an unknown and wealthy father, his extravagant wife, his daughter, an ambitious woman, a rebellious teenager, and their creepy maid. Someone is lying. Between suspicions and lies, a mystery grows and the evil spreads.
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Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, "Five" adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
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Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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歷史學教授約翰·歐德曼(JohnOldman)令人意外地從大學辭職後,他的同事們來到他的家中為他舉辦告別聚會,並希望教授解釋他為何離開。教授聲稱他是一個不會衰老的克洛曼儂人,到目前為止已經活了一萬四千多年。他之所以辭職選擇離開,是因為他若在一個地方停留超過十年,他不衰老這一事實就會引起那裡人們的懷疑。眾人有些惱怒,爭相想拆穿這個蹩腳的藉口,可很快他們就發現無法為John所言證偽,就如同John無法為他所聲稱的事情證實一般。原本友好的歡送會開始變得氣氛迥異……
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