追女特攻隊

年輕創業美女老闆周挺帶領三姐妹與腹黑男展開一場鬥智鬥勇的收購反擊戰。曾經的校園初戀為了各自立場不得不近場搏殺，不可退讓——然而舊情難消，餘情未了，新歡作祟，惡棍攪局，更有屌絲財主陽奉陰違，暗度陳倉，白富美強愛上位，騎虎難下……在這部充斥陽謀與初戀的商戰危情中，且看美女老闆究竟是以身抵債，名利雙煞，還以情破局、重歸原點？一切懸念盡在一天的9小時中悉數道來……

賀永年自幼失去了雙親，由商店的老闆娘撫養長大成人。老闆娘家裡有個小女兒靜琴，靜琴和賀永年從小相處到大，兩人之間青梅竹馬的友情漸漸升級成為了愛情。靜琴深深的愛著賀永年，處處為他提供幫助，老闆年也對這對璧人的感情十分的支持。 努力工作的賀永年在單位受到了上司梁老闆的重用，因此結識了梁老闆的女兒阿妮，阿妮對賀永年一見鍾情，百般勾引和誘惑他，最終，在美色和財富的引誘下，賀永年拋棄了靜琴，和阿妮走到了一起。之後，阿妮的同學亨利攛掇賀永年同他合資搞房地產生意，實際上，他早就為賀永年設下了圈套。

　　弗朗西絲（詹妮弗•格雷 飾）與家人到了凱勒曼山區度假。17歲的弗朗西絲對男孩子、舞蹈和家庭遊戲都不感興趣。　　一次偶然，她來到了一家旅館，裡面的男男女女非常纏綿地在一起跳舞。弗朗西絲馬上覺得這樣的舞蹈不堪入目。舞蹈教練約翰尼（帕特里克•斯威茲 飾）來到了她跟前，他為弗朗西絲解開顧慮，並教她舞蹈的基本步。學習過程中，弗朗西絲也發現自己愛上了約翰尼。因為害怕被解僱，約翰尼不敢與弗朗西絲髮展下去。　　這時約翰尼的舞伴懷上了大學生羅比的孩子，弗朗西絲讓自己的醫生父親幫忙檢查，但弗朗西絲的父親誤以為孩子是約翰尼的，繼而阻止女兒與約翰尼交往，他們倆只好暗中見面。因為被誣陷，約翰尼失業了。

侯堅強因劇本問題遭老闆責罵，艾米偶然看到了他糟糕的劇本，決心幫他創作一部揭露社會問題、警示女性、防範侵害的正能量劇本。劇本中，艾米化身剛從私立培訓學校畢業的實習模特，她和室友一起參加了“新佳麗”模特選美大賽，侯堅強被艾米清新脫俗的氣質打動，下決心追求艾米。在一次平面廣告拍攝時，艾米結識了陸銘。艾米的父親成天賭博，逼死艾米母親，在艾米最無助的時候，陸銘趁虛而入，俘獲芳心，卻與其他女孩幽會。選美賽老闆張董看上了艾米，給了陸銘50萬要他把艾米搞定。侯堅強意外聽到陸銘出賣艾米的消息，帶領室友混進化妝舞會營救艾米。最終，在侯堅強的開導下，艾米重拾信心，她的父親在侯堅強勸導下，改邪歸正，父女重逢。

1980年，一個去菲律賓夜總會賣唱的歌女讓一個當地老闆包了幾天就能賺三五萬美金。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake: Death Takes A Holiday (1971)

　　葉欣榮（梁詠琪 飾）被戀愛七年的男友拋棄，忽然從待嫁女變成了剩女，嫁人無望，卻誤打誤撞認識了老闆的司機古須仁（鄭中基 飾）。她根本不知道，古須仁竟然是如假包換的香港老闆，因為樹敵太多，不得已和司機關仁（杜汶澤 飾）交換身份。褪去了闊少爺的光環，一直得不到真愛的古須仁在榮榮身上找到了感覺，也因為互換身份，關仁認識了榮榮的閨蜜Nikki（謝娜 飾），一見傾心，Nikki卻擔心上司辦公室性騷擾，處處防備，鬧出不少笑話。而古須仁和榮榮，在幫助關仁追求Nikki的過程中漸漸墜入愛河。　　古須仁破格提拔榮榮去香港做高層。榮榮經歷了一次夢幻般的旅程，私人飛機、名車、名錶、名牌服裝首飾、上流社會的交際……所有的一切都讓榮榮感到不真實。當古須仁鼓起勇氣向榮榮亮出真正身份並深情表白時，卻讓榮榮感到他句句假話，拒絕了他，但是此時決定洗心革面的古須仁卻再也不願意放手，雖然榮榮已經不在身邊，他卻依然遵守著榮榮和他的愛情約定……

楊虹與男友吳傑、老闆松本先生是在同一天裡相識。當時她駕駛著自己的那輛紅色出租車，駛過事故現場的時候，吳傑正躺在血泊之中昏迷不醒。在場的眾人駐足一旁，是楊虹卸下了客人，把他送往醫院的……這也就有了日後吳傑對她的一見鍾情和松本對她的破格錄用。