Followed by Darby Harper, who is granted the ability to see ghosts after suffering a near death experience in her childhood. Then, she runs a side business counseling local spirits in her spare time.
Dom and Yas’ paths collide at the least opportune time: when Dom (David Jonsson) is ugly-crying in a toilet stall, steeling himself for an awkward meal with his ex, who cheated on him with his best friend. Nursing her own breakup wounds, freewheeling Yas decides to jump headfirst into the fray to lessen the sting as Dom’s date. What follows is a day of impulsive and joyous mayhem, as these two twenty-something Londoners roam Peckham through karaoke bars and playgrounds, all the while inching towards the possibility of opening their hearts again. For her visually inventive feature debut, director Raine Allen-Miller launches us into a playful and vibrant world, shaping a romantic comedy that celebrates meeting the right person at the wrong time. Nathan Byron and Tom Melia’s fresh characters leap off the page at breakneck speed in the hands of Oparah and Jonsson, channeling all the frustrations of swiping fatigue while holding onto the hope of finding the real deal. Much like its namesake in the beating heart of South London, Rye Lane is irresistible.
Sparks fly when a greeting card executive arrives in Santa Fe to acquire a tight-knit family company that creates ornaments inspired by Mexican Christmas traditions.
In a world where mythical creatures are real, monsters and humans are forced to coexist; and as prejudice and insecurity pulls everyone apart, three separate storylines manage to come together.
After a devastating battle against a diabolical turtle, a team of five avengers — known as the Tobacco Force — is sent on a mandatory retreat to strengthen their decaying group cohesion.
Entertaining thriller about the perfect girl next door. Beautiful, friendly and a devout churchgoer, she believes in always doing good. but underneath the pleasant exterior is a ruthless woman, determined to get the lifestyle she thinks she deserves.
Wanda's world has been turned upside down when her teenage daughter Nina suddenly turns up in a hijab. Secretly, Nina has converted to Islam; she exclusively eats halal, strictly observes the prayer times and wishes to be called Fatima. Mother of a liberal Viennese patchwork family, Wanda is appalled; she has always strongly stood against religious fanaticism. However, all attempts to make Nina see reason fail. To make matters worse, Wanda's ex-husband has just fathered a child with his latest wife, and Wanda begins to yearn for a time when her only problems were her daughter's truancy and pot smoking. When she meets Hanife, the mother of Nina's Muslim girlfriend, she finds an ally. Hanife, who immigrated to Austria as a child, is determined to save her daughter from the extremely old-fashioned image of women, which Nina is enthusiastically preaching.